The IPA Talent & Diversity Conference: views from the big names

We’re sure that the headline names from the IPA Talent & Diversity Conference would have something to say about Farage (Our director, Shilpa, likes to rhyme this with ‘garage’ in a passive-aggressive act of ongoing defiance). Last week we shared the talk on confronting ageism - this week we surface the views from the headline grabbers in the room.

Image courtesy of The IPA

Meera Syal: the power of representation

Meera Syal CBE took the stage in conversation with Harjot Singh to reflect on the evolving landscape of representation. She spoke powerfully about the importance of being seen and the advocacy, resilience, and courage it takes to make that happen. From going against the grain to standing up for yourself, Meera reminded us that progress often comes from those willing to carve out space where history can be made.

She proudly celebrated the appointment of Indhu Rubasingham as the new Director and Joint Chief Executive of the National Theatre, marking a major milestone for South Asian representation and a step forward for opportunity in the arts.

Using herself as an example, with a touch of humour, she mused that she had now found her way into some textbooks, an unexpected but gratifying milestone in her journey of breaking barriers and paving the way for others.

David Harewood: Trailblazer, not by choice

David Harewood took us through the powerful and personal story of his journey into acting — a path shaped as much by barriers as by breakthroughs. He spoke openly about growing up in the UK, navigating racism in his youth and early career, and how, for a long time, he was seen not just as an actor, but as a Black actor. A label that came with its own set of limitations. 

As he reached his 30s, ageism set in, and the roles dried up. Struggling with mental health and a lack of opportunity, he eventually left the UK to find work, landing what would become his most recognisable role as CIA Counterterrorism Director David Estes in Homeland. That role, he reflected, was only possible because someone made space for him, becoming a reminder of why inclusive opportunities matter.

Today, he’s come full circle, now serving as President of the Royal Academy of Dramatic Art in the UK, helping shape the next generation of talent. He closed with a moment of quiet pride, recalling a student who once thanked him simply for being visible, for being someone to look up to.

If you're looking for more big name views on all things inclusion, check out our Speakeasier podcast series.